DIN: Some of the recent decisions coming from Chareidi leadership circles are nothing short of outrageous. Banning a fully kosher, family‑friendly event makes no sense whatsoever. Why should I be prevented from sitting with my wife, my children, or my grandchildren and enjoying a concert together? Since when is a wholesome family outing considered a threat?
This isn’t about holiness — it’s about control. These leaders seem determined to micromanage every detail of people’s lives, as if the community can’t be trusted to make normal, healthy choices.
Instead of strengthening families, they impose restrictions that isolate them. Instead of building confidence in their own chinuch, they act as though the mere sight of men and women in the same public space will cause society to collapse.
It’s a worldview driven by fear, not faith — and it’s families who pay the price. These policies don’t protect the community; they suffocate it.
A major upheaval has shaken the charedi cultural world after the newspaper Yated Ne’eman published a rare and strongly worded letter signed by all leading Torah authorities of the Lithuanian charedi community. The letter launches a direct attack on the concert culture that has developed in recent years and lays out new, strict rules that are expected to dramatically reshape the events and music industry in the sector.
At the center of the declaration is the establishment of a new rabbinical oversight body called “Shira Kehilchata” (“Song According to Halacha”). At the instruction of the senior rabbinic leadership, Rabbi Shlomo Levenstein and Rabbi Aharon Vagshel were appointed to supervise public performances and enact regulations aimed at preserving standards of modesty.
The letter sets out several sweeping prohibitions, including:
- A total ban on performances intended for both men and women, even when full gender separation is maintained.
- A determination that such events constitute a serious breach of the sanctity of the Jewish people.
- A prohibition on male singers performing before women in any setting.
- A limited exception only for events held inside synagogues under strict supervision.
The practical implications of the directive are unprecedented. Singers, producers and artists are required to sign formal commitments to comply with the rules set by the committee. Those who refuse to comply will face an official boycott: the letter calls on the public not to invite them to perform, not to accord them honor, and prohibits production offices from representing artists who are not subject to the committee’s authority.
The move follows escalating tensions during last Hanukkah between concert promoters and rabbinic leadership, which led to the cancellation of several large-scale performances that rattled the industry.
One such case involved a planned concert by singer Naftali Kempeh at Jerusalem’s International Convention Center. After tickets were sold to a mixed audience with gender separation, strong opposition emerged. Efforts to convert the event into a men-only performance failed due to legal concerns and fears of gender discrimination, and the concert was ultimately canceled.
Days later, another major concert by singer Shmulik Sukkot at an arena venue was canceled after thousands of tickets had already been sold. The cancellation followed a direct ruling by Rabbi Moshe Hillel Hirsch, who stated that the very concept of a mass event intended for men and women together contradicts the values of the Torah-observant public.
The force of the current letter lies in the breadth of its signatories, representing all major streams within the Lithuanian Torah world. Among them are leadingrosh yeshivas Rabbis Dov Landau, Moshe Hillel Hirsch, Berel Dov Povarsky, Meir Tzvi Bergman, Yitzhak Zilberstein and Yaakov Ades.
Their unified stance sends a clear message that this is not a localized or temporary struggle but an official, long-term policy. The goal is to establish a form of “kashrut supervision” over the music world, similar to food certification, ensuring that every musical event in the Haredi sector is vetted by the Shira Kehilchata committee.
The letter appears to mark the end of the era of mixed large-scale concerts in the charedi community and forces artists to choose whether to align with the new framework or face exclusion.
