by Pini Dunner
Earlier this week, without warning, I found myself weeping uncontrollably. Allow me to tell you why.
On Sunday night, a few guys came together in London to sing. None of them are professional singers. What brought them together was that all of them — at some point during the 1960s, 1970s, and 1980s — had sung in a boys’ choir called the London School of Jewish Song.
This remarkable musical ensemble was directed and conducted by a charismatic Israel-born educator, Yigal Calek, whose flamboyant style and exceptional ear for music propelled his young proteges into stardom across the Jewish world. Curiously, although Yigal Calek was undoubtedly an innovator, he was also deeply traditional. Consequently, while his songs were very much in tune with modernity and the zeitgeist, they were nonetheless firmly embedded in the music of the Jewish yesteryear.